Maniac joins the pantheon of 80's slasher remakes
and interpretations of the Ed Gein story. On paper a nasty and uneasy
stalk-and-slice movie it's raised from the cabin/house in the woods/site of
ancient burial grounds by the first person perspective and complexity within
Elijah Wood's portrayal of Frank which attempts to help us understand his
creepy and homicidal obsessions by grounding them within their location and a
familial legacy. It looks stylish; employing clever use of shiny surfaces that
reflect the vacuous sheen of the city and with it a different perspective of
our protagonist and a potential window for our empathy. When Frank does
enter into what passes in his realm as a functioning friendship and potential
relationship we see the best and worse of his fragility.
It would be easy to accuse Maniac of being
misogynous - it is full of unnecessarily gratuitous tits, slits and bits -
however even in death Frank's victims retain power over his actions. The
filmmakers might argue that Maniac is a study in the complexity of the male
psyche and its ultimate failure to move past the maternal. Or it might just be
an excuse for some cheap thrills and gruesome schlock.
In the face of the ambiguity I'll give it the
benefit of the doubt. I know many people won’t.
8/10
Was this the one with the mannequins? This was a complete no-no for me if it was!
ReplyDeleteyep - its was like a nightmare in Grace Brothers
ReplyDelete